Catalog Search Results
Author
Series
Book Apart volume no. 45
Language
English
Formats
Description
"Many UX techniques fall apart in the real world of overflowing backlogs, two-week sprints, and stubborn stakeholders. Yet wireframing persists, despite its much-anticipated demise. Wireframes are fast and easy to make, can be created and understood by anyone, and function as both creative ideation and practical communication tools. Leaning on decades of collective experience, Michael Angeles, Leon Barnard, and Billy Carlson show us how to use low-fidelity...
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
The early 19th century saw the emergence of two compelling and highly contrasting styles. Referencing the art of Napoleonic painter Jacques-Louis David, discover the tenets of Neoclassicism, specifically its ordered composition and emphasis on stoicism, morality, and rational control. In works by Eugène Delacroix, find the spirit of Romanticism and its concern with dramatic proportions, emotion, and spirituality.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
In defining the bold sensibility of Expressionism, explore its use of violent colors, stylistic distortions, and sculptural application of paint. Also contemplate its influences (including contemporary philosophers as well as Freud) and its goal to provoke empathy and thus touch the viewer at the innermost level.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
In the 1960s, Pop art, Op art, and minimalism brought yet another far-reaching redefinition of art. Learn to recognize these three distinct postmodern visions, and see how they shared a common rejection of the traditional focus on the artist, aiming instead to create works that exist only for the viewer's interpretation.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Explore how artists evoke motion and the passage of time, including implying motion through strong directional lines and time through narrative devices. Study approaches to implied motion in Impressionism, Abstract Expressionism, and Op art, and the use of actual motion in performance art and modern sculpture.
Publisher
PBS
Pub. Date
2009.
Language
English
Description
This documentary chronicles the stories of 10 fine artists and intrepid scientists who abandoned careers to forge unconventional lives as modern-day paperfolders.. BETWEEN THE FOLDS paints an arresting portrait of the remarkable artistic and scientific creativity that fuels this ever-changing art form, fusing science and sculpture, form and function, ancient and new.. Winner of Best Documentary at the Brooklyn International Film Festival.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
The medium of prints attracted great artists from Dürer and Rembrandt to Ensor and Picasso. Using studio demonstrations, study the expressive means and contrasting techniques of relief printmaking, including woodcut, wood engraving, and linocut, and intaglio printmaking, including metal engraving, etching, mezzotint, and aquatint.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Contemplate the "anti-art" spirit of Dadaism, its nihilistic yet humorous indictment of civilization and bizarre use of unconventional media. In the sensibility of Surrealism, observe its compelling focus on the subconscious and two substyles - dream imagery, with its juxtaposition of objects and settings, and "automatic drawing," eliciting unplanned images from the unconscious.
9) Type Hunters
Publisher
Doc & Film International
Pub. Date
2016.
Language
English
Description
Typography is at the heart of our contemporary culture. The film plunges us into the “typographic cauldron” of the great modern metropolis. We are taken on safaris through some of the great European cities by typographers who will decipher for us the “jungle” of typefaces swarming all around us.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Two important artistic movements followed the High Renaissance. Beginning with late Michelangelo, Tibaldi, and El Greco, explore the hallmarks of Mannerism, including deliberate distortions of proportion and perspective and use of tertiary colors. Then, in the works of Caravaggio, Rubens, and others, define the essence of Baroque art in its dramatic, exuberant expansion of classical style.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Abstraction and Modernism forged a daring new definition of art, breaking dramatically with the past. Discover the philosophical and experiential underpinnings of abstraction and nonrepresentational art, now radically freed from imitating nature. Encounter art's new language in visionary works by Kandinsky, Marc, Pollock, De Kooning, and others.
Publisher
PBS
Pub. Date
2013.
Language
English
Description
Muslim belief and tradition specifies that there should be no depictions of God or the Prophet Muhammad. In religious contexts, this constraint on what artists can depict extends to human figures and other living creatures as well. These prohibitions have inspired a rich visual culture based on calligraphy, Arabesque floral designs, and geometry, all of which feature strongly in the art and design found throughout Islam.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
The sensuality of Rococo art mirrors 18th-century upper-class lifestyle and sensibility. Explore the evocation of intimate hedonism in Watteau, Boucher, Fragonard, and other Rococo masters, specifically through their imagery of lovers, social life, and pastoral pleasure. Then, define Rococo style in its graceful curves and characteristic use of paint and color.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Baroque style flowered in key regional variations. See the influence of the Counter-Reformation in southern Europe in dazzling religious images intended to excite and teach. Grasp the classical ethos of French Baroque and the Dutch diversity of subject matter and dramatic use of light and space in the North.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Trace the history and technique of painting, beginning with the methodology of panel painting on wood; fresco painting, both wet and dry; and finally, oil painting and watercolor. Learn about types of oil paint, the mixing of colors, brushwork techniques, and the 19th-century phenomenon of plein air (outdoor) painting.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Sculpture, as a genre, encompasses the full spectrum of three-dimensional artworks. In this lecture, investigate the varieties and viewing contexts of relief and in-the-round sculptures - from monumental public works and religious and historical subjects to assemblage, collage, found objects, and large-scale "earth art" - noting the technical distinction between subtractive and additive works.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
The lecture opens with a historical panorama of painting techniques, highlighting the diverse treatment of human faces. Then, it tracks 20th-century developments in nontraditional materials and methods of application, including the techniques of Frank Stella, Helen Frankenthaler, and Jackson Pollock, as well as the contrasting strengths and mixed use of oil and acrylics.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
The term "Postimpressionism" comprises a varied and highly innovative body of art. Here, learn how Postimpressionist painters such as Cézanne and Seurat were driven by what they perceived as a loss of form in Impressionist art. See also how Symbolists Gauguin and Munch used increasing abstraction to convey deeper psychological meanings.
19) Subject Matters
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
Focusing on masterworks by Van Eyck and Rubens, define three levels of iconography (subject matter). Also study the academic codifying and ranking of subject matter in art, probing subject and deeper meaning in a variety of religious and history paintings, still lifes, landscapes, portraits, and genre works.
Publisher
The Great Courses
Pub. Date
2011.
Language
English
Description
In this first lecture on genre, define the various purposes of drawings, from "croquis" drawing to capture a pose or action, to successive sketches visualizing larger works, to finished drawings as a distinct art. Study the diverse media of drawing, focusing on master drawings in metalpoint, charcoal, ink, pastel, and pencil.
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